Daniele Patucchi “Susan theme” (1970)

We simply had to write a brief post about this truly beautiful Italian soundtrack single from the Turin tunesmith, Daniele Patucchi, released in 1970.

Daniele

Despite scoring over 50 soundtracks, there is scant information available on the 75 year old Daniele Patucchi. This beautiful single is taken from the soundtrack to the film, Così Così…Più Forte, which was released in 1970.

The film is about two young women, Lisa and Susan, who fall in love in Rome. A man named Fred enters the fray and Susan cheats on Lisa with Fred. Jealousy, whisky, arguments and police intervention ultimately results in collective suicide in a car crash.

The single was released in 1970 on the CAM label with a catalogue number; AMP 80.

Susan theme – the A-side, a very erotic scat, bossa theme with vocals by Edda dell’Orso.

Fred Love theme is the B-side. Wonderful summery bossa with sultry, breathy female la la las.

 

Another 24 hour flash sale . . . £13 vinyl

Hi Folks, another chance to fill those gaps in your record collections with these bargains. £13 with free local delivery or £3 postage for up to 3 albums . . . get your orders in ASAP . . . limited stock.

Flash sale 2

Aldous Harding. Party

Bauhaus. The sky’s gone out

Cat Power. Covers record

Cocteau Twins. Tiny Dynamine / Echoes in a shallow bay

Cocteau Twins. Treasure

Dead can Dance. Dead can Dance

Dead can Dance. Spleen and ideal

Dizzie Rascal. Boy in da corner

Jungle. For ever

Kim Gordon. No home record

Parquet Courts. Sunbathing animal

Pixies. Bossa nova

Pixies. Doolittle

Stereolab. Peng!

The Strokes. Is this it?

The Birthday Party. Junkyard

The Breeders. Last splash

The Fall. This nations saving grace.

The XX. Xx

Drop us a message ASAP.  PayPal payment please . . . #isolationvinyl

 

 

 

24 hr flash sale . . . £13 vinyl

Flash sale

Hi folks, fill the gaps in your record collections with these bargains . . . £13, with free local delivery or £3 postage for up to 3 albums . . . Get your orders in ASAP!!!

Bauhaus – Mask

Bon Ivor – For Emma, forever ago

British Sea Power – Do you like rock music?

Cat Power – Moon pix

Cocteau Twins – Blue bell knoll

Daughter – If you leave

Interpol – Turn on the bright lights

Libertines – Up the bracket

National – Alligator

Pixies – Surfa Rosa

Savages – Silence yourself

The Breeders – Pod

The Fall – Wonderful and frightening world of

The Strokes – Room on fire

Vampire weekend – Vampire weekend

Drop us a message ASAP, PayPal payment please . . . Isolation vinyl!!

 

Working in a Stoke record shop (early 90s)

Hot on the heels of our Growing up in Stoke’s record shops post, friend of Strand Records, Jayne Taylor, talks about hearing vinyl for the first time, buying records in Stoke-on-Trent and working for Replay Records . . .

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My first encounter with vinyl was terrifying! I must have been around five or six years of age. I was idly flicking through my dad’s record collection when I encountered a Leo Sayer vinyl . . . I remember being absolutely traumatised by the cover . . . it would appear that poor little Leo had sat on a drawing pin judging by the pained expression on his face and as a result he’d been catapulted 50 feet in the air. (Endless Flight . . . Google it . . . I dare you).  Editor’s note: no need Jayne, here it is for you to enjoy all over again!

Leo Sayer

I put it on the turntable of our Alba radiogram, which was basically  the size of an Hillman Imp, and dropped the needle on the record. To my utter joy and delight, I discovered that Leo sounded just like my then heroes, The Smurfs . . . my joy however was extremely short-lived as my dad thundered into the room and told me I was playing his musical hero, Leo on the wrong speed and with the flick of a switch my blue and white heroes had been transformed into something which I told my dad, “sounded a bit rubbish” . . . with utter indignation he snatched the record off the turntable and told me never to listen to Leo again . . . not that there was much danger of that!

The months rolled by and, aged 7, I decided The Smurfs were for kids and fuelled by my older brother’s love of all things Punk and New Wave, I embarked upon my lifelong irrevocable musical obsession. Age ten, I bought my first ever single “The Model” by the peerless Kraftwerk . . . I dashed home to play it, not before staking my claim on it by writing my name on the back in biro like we all did way back when . . . why did we do that? It still hurts when I look at it!

Anyway, hundreds of trips to Woolies to peruse and obsess over the Top 75 singles racks followed and fast forward to the Autumn of 1990 when I landed myself the absolute dream job of Sales Assistant at Replay Records. On my first day my then boss probably wondered what the hell she’d landed herself with when she found me nose deep in a box of fresh vinyls inhaling deeply like some kind of plastic pervert but the stuff is pure magic right? Don’t look at me like that!

Replay 1

Anyway, moving swiftly on . . . head honcho Bryan, Replay’s founder, CEO and all round smashing fella had four shops when I began working there. Longton, Hanley, Macclesfield and finally the nerve centre of the operation, Tunstall, which stood proud on the High Street for many years. I worked at three of the four shops spending most of my time at the small but perfectly formed Hanley branch. Hanley at that period in time was awash with record shops, there was Mike Lloyd Music, Lotus, Our Price, Discs and of course the chain stores such as Woolies and WH Smith that had huge record departments (was it just me or were all the CDs and vinyls from Woolies in really poor nick like they’d been stored in sandpaper sleeves or something?). What we lacked in size we made up for with our boundless enthusiasm, passion and dedication to providing a first rate personal customer service and we did a stunning trade with the, “If I hum it/sing it to you, can you tell me what it is and sell it to me?” peeps, which was always great fun.

We sold mainly chart stuff but had a good selection of most genres . . . O.K, maybe we fell a bit short with the Pirate Metal,Wizard Rock and German Reggae but we could have ordered it in for you. We stocked the legendary Top 75 hit parade back when the charts were a big deal and you could still own a beautiful piece of plastic for mere pocket money but the humble vinyl 45 was by now facing stiff competition from both the CD single and the cassette single. This was way before the internet so we did a huge trade in ordering stuff in for people . . . we had a huge red book, a rather impressive tome which closely resembled the one grasped by Eamonn Andrews on This Is Your Life. It was the absolute bible of all things music and contained the catalogue number of every single UK music release since the charts began in 1952. This is where you’d have to source your catalogue numbers for the customer orders . . . it all seems so dated now. The tome was so heavy you’d pretty much risk some sort of wrist injury each time you lugged it up onto the counter and of course you’d have to have smaller add on versions every few months containing all the latest releases.

Jason, my then boss, loved his techno and rave choons and we did a steady trade selling 12 inches to the young ravers who’d park up their VW Golf GTIs and XR3is outside the shop wanting their vinyl fix . . . happy, happy days.

It’s hard to believe but by Autumn 1991 vinyl sales of albums had been completely eclipsed by CDs and cassettes and we actually stopped selling vinyl albums altogether. A sad day indeed but fear not vinyl, you will rise again like a phoenix from the ashes . . . and you did!

Always a sucker for a gimmick me, and we sold them by the bucket load. Who remembers the 10 inch single? 3 inch mini CD single? CD singles in tins? Vinyl of all colours of the rainbow, limited editions, numbered editions, novelty packaging of every description, singles in plastic sleeves full of glitter and the one that sticks in my mind was the Divinyls, “I Touch Myself“. A CD single containing X-rated photos apparently . . . sold like hot cakes that one!

Central to everything we did was our core of wonderful, loyal customers. People from all walks of life who would often take you into their confidence and treat you like a friend. My favourite memory was a lady that came in to buy a single because it reminded her of her dear mum who had sadly recently passed away. She asked me to play the record and as we listened she shared some of her memories with me and showed me some photos of her lovely mum. Replay was more than a record shop, it  gave a sense of community and it was a joy to be part of something so special. I moved on to the dizzy heights of the record department at WH Smiths but I will always look back at my time at Replay with fondness. Replay may be long departed but hopefully there’s a few of you out there that remember us as fondly as we remember you x

Jayne’s Top Ten Albums of 1991

  1. My Bloody Valentine-Loveless
  2. Teenage Fanclub-Bandwagonesque
  3. Electronic- Electronic
  4. Nirvana-Nevermind
  5. Julian Cope-Peggy Suicide
  6. P.M Dawn -Of the Heart,of the Soul and of the Cross: The Utopian Experience
  7. Primal Scream-Screamadelica
  8. The Orb-Adventures Beyond the Ultraworld
  9. Dinosaur Jr.-Green Mind
  10. Talk Talk-Laughing Stock

Record Store Day 18.04.20

Saturday 18th April 2020 would have been Record Store Day 2020 @RSDUK!

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Fo independent record shops like Strand Records, RSDUK has been a great day to highlight the love of vinyl and music generally. It’s also been a good day to sell records too of course. The immense support we have received since being part of RSDUK is evidenced by these photos and the commitment, dedication and endeavour of our army of crate diggers is both appreciated and applauded.

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To be honest, we can never quite get over the level of support we receive on RSDUK in our shop on The Strand in Longton, Stoke-on-Trent. A queue starts forming around c.04:00am (maybe even earlier?) and the shop is effectively mobbed from opening time until mid-afternoon. For the last couple of years we have had live DJs in the afternoon too. A splendid time is guaranteed for all!

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We can’t celebrate in our favourite shops today but we can still support them online. Please get in touch with us if there is anything you require. What gaps need filling in your vinyl collection? Let us know and we’ll track them down!

We generally post items second class but we can also offer 1st class postage and next day delivery options as well as click and collect. There is also free local (Stoke-on-Trent) delivery on orders over £30. If you require any of these options, please just contact us.

Thank you for being you . . .

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Stereolab – “Emperor tomato ketchup”

Stereolab

Stereolab are a long-time favourite of Strand Records. The pop groop were formed in 1990 by Tim Gane (ex-McCarthy) and Lætitia Sadier. The band have always seemed very imaginative and exotic to us with their sound, sleeves and song titles. They feel very European and their music has incorporated a myriad of influences from lounge, 50s/60s space pop, funk, krautrock, jazz, easy listening, bossa, samba, etc. Underpinning much of the band’s sound is the relentless 4/4 beat of motorik (‘motor skill’).

Their early albums did occasionally incorporate lighter pop songs but generally the sound consisted of droning guitar and organ-based garage rock songs, albeit with a European rather than American feel. By the time of their third album, , Mars Audiac Quintet (1994) the band had introduced more of a lounge, pop feel to their sound and they scored minor chart hits with the singles, Ping Pong and Wow and flutter.

For many, Stereolab’s fourth album, Emperor Tomato Ketchup (1996) is the highlight of their entire back catalogue. The album was a very polished mix of easy pop, funk, krautrock and even elements of dub. The album retains experimental songs alongside lushly produced electronic melodies. Part of the album’s sheen comes from the sumptuous string arrangements by Sean O’Hagan (High Llamas, Microdisney). Why not check out the sheer beauty of Cybele’s reverie or the urgent, cosmic bop of Les Yper-sound

We are currently stocking the reissue album of this space-age pop meets Krautrock classic.

Please note that, in addition to the purchasing option below, we can also offer 1st class postage and next day delivery options as well as click and collect. There is also free local (Stoke-on-Trent) delivery on orders over £30. If you require any of these options, please just contact us.

Stereolab “Emperor Tomato Ketchup” (brand new vinyl reissue)

Stereolab's fourth album from 1996. Arguably the high-water mark of their entire back catalogue (they have an amazing back catalogue by the way). Please note that the price includes second class postage and packing. This is a brand new, reissue vinyl copy.

£26.00

The Specials (1979)

Specials debutReleased in October 1979, The Specials’ eponymous debut album perfectly captured the energy and excitement of the late seventies British SKA revival. The Specials were a blistering live act and this LP, produced by Elvis Costello, is testament to that. The band took the timeless offbeat skanking sound of SKA and rocksteady and infused this dance beat with the energy and anger of punk.

The Specials revered 1960s SKA and this is reflected by the inclusion of 4 respectful and essential cover versions of tracks from that period. There’s the smash hit rocksteady take on Dandy Livingstone’s A message to you Rudy, a powerful version of Prince Buster’s Too hot, the desperately exciting Monkey Man (Toots and the Maytals) and the mellow You’re wondering now written by Clement Seymour ‘Sir Coxsone’ Dodd and covered by The Skatalites amongst others. There was also a high-octane, uptempo, loosely-based take on Rufus Thomas’ The Dog entitled Do the Dog. The latter track was bang up to date as it directly addressed the contemporary increase in violence on UK streets; All you punks and all you teds, National Front and Natty dreads, Mods, rockers, hippies and skinheads, keep on fighting ’til you’re dead …

The cover versions are all top notch but The Specials’ original compositions truly astound the listener. 1979 was a relatively bleak time in Britain with a rise in unemployment, inflation, strikes and racial tension. It felt like Britain was lving on the edge and The Specials somehow encapsulated all of the associated societal disenchantment, frustration, anger, fear and bitterness in their songs.

The raw, noisy Concrete jungle vividly reflects the very genuine threat of inner city violence, Nite Klub depicts the saddest disco in the world with bad beer and frustrated fellas aplenty and Blank expression details the souless misery of endless drinking in tough backstreet boozers. The slower-sounding studio version of the energetic number 1 live hit Too much too young focusses on teenage pregnancy whilst the calypso-sounding Stupid marriage deals with the trial of a rude boy charged with criminal damage. Are we still all having fun? I told you these were bleak times!

Little bitch is a an extremely fast heavy skank that is rather harsh lyrically whilst the slower It’s up to you and It Doesn’t Make It Alright both take a heartfelt stance against racism. Although the lyrics and tone of some tracks reflect the bleak themes of late 1970s Britain, the overall sound is generally very bright and energetic (partly thanks to the pop-tastic Elvis Costello). This album is an amazing social document and a very fine collection of 14 wonderful songs.

We stock the 2019 reissue of this classic album and please note that, in addition to the purchasing option below, we can also offer 1st class postage and next day delivery options as well as click and collect. There is also free local (Stoke-on-Trent) delivery on orders over £30. If you require any of these options, please just contact us.

The Specials (1979)

40th anniversary half speed master edition double album. The price stated includes second class postage and packing.

£25.10